With the exclusion of the superb The tribunal fool, knocking on Wood must rank as the best of Danny Kaye’s film vehicle. capitalize on the star’s recent successful battle in Greater London, the movie project Kaye as a neurotic American ventriloquist perform in England and Europe. In a lampoon of the 1946 thriller Dead of nighttime, Kaye is unable to command the words come out of his silent person, result in a near-nervous dislocation.